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Columns

Imperishable fantasy | On why Carrie is a classic

“God had turned his face away and why not?  This horror was as much His doing as hers.” From Carrie, ...

The Canon of cinema | Fantasy cinema (I): 1950’s science fiction

THE CANON OF CINEMA This article marks the beginning of a series of contributions featuring diverse contents the author considers ...

Prolegomena to “The Concept of Cinema” | Otto Preminger. The Loss of Laura

“I have manifested,” said Lucavski, “That, deep down, everything is possible. In sum, all reasoning, regardless of the consequences it ...

On the road with Pauline Kael (1)

“Good you woke up, Pauline. It already stopped snowing and in an hour we’ll stop for gas and have some ...

The quest for lost cinephilia (0)

Between 2000 and 2004 I dedicated myself to pick out material for the BAFICI and have seen very little cinema ...

What can be seen in Qubit? | Seeing You Again

SEEING YOU AGAIN When seen again is where a movie is put truly to the test; it can get stronger ...

Things I promised not to tell | Two Christmases. Two Catholic Heroes

The celebration of Christmas, or Rite of Advent, is along with Resurrection Easter, a key event for Christianity; especially for ...

The Stainless Party (4) | The Big Lebowski

HERE I WAIT, SMOKING WITH THE DUDE Starting today, Marihuana has become legalized in Netflix. Starting today, spirals of smoke ...

The recovered childhood (2) | The Blob

It gives me a certain happiness to know precisely what was the first horror movie I saw in my life. ...

The recovered childhood (1) | The Graduate

In this column I want to do the following exercise: go back to seeing the films that marked my childhood/youth ...

The navigator | The good film criticism

For the Quintín of the 90’s There is a complacent film criticism. Complacent, above all, with Argentine Cinema. After achieving ...

Notebook (13) | The parents

On Sunday, Seoul published an article by Gustavo Noriega remembering the 30th anniversary of the release of the first issue ...

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