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Columns

Imperishable fantasy | On why Carrie is a classic

“God had turned his face away and why not?  This horror was as much His doing as hers.” From Carrie, …

The Canon of cinema | Fantasy cinema (I): 1950’s science fiction

THE CANON OF CINEMA This article marks the beginning of a series of contributions featuring diverse contents the author considers …

Prolegomena to “The Concept of Cinema” | Otto Preminger. The Loss of Laura

“I have manifested,” said Lucavski, “That, deep down, everything is possible. In sum, all reasoning, regardless of the consequences it …

On the road with Pauline Kael (1)

“Good you woke up, Pauline. It already stopped snowing and in an hour we’ll stop for gas and have some …

The quest for lost cinephilia (0)

Between 2000 and 2004 I dedicated myself to pick out material for the BAFICI and have seen very little cinema …

What can be seen in Qubit? | Seeing You Again

SEEING YOU AGAIN When seen again is where a movie is put truly to the test; it can get stronger …

Things I promised not to tell | Two Christmases. Two Catholic Heroes

The celebration of Christmas, or Rite of Advent, is along with Resurrection Easter, a key event for Christianity; especially for …

The Stainless Party (4) | The Big Lebowski

HERE I WAIT, SMOKING WITH THE DUDE Starting today, Marihuana has become legalized in Netflix. Starting today, spirals of smoke …

The recovered childhood (2) | The Blob

It gives me a certain happiness to know precisely what was the first horror movie I saw in my life. …

The recovered childhood (1) | The Graduate

In this column I want to do the following exercise: go back to seeing the films that marked my childhood/youth …

The navigator | The good film criticism

For the Quintín of the 90’s There is a complacent film criticism. Complacent, above all, with Argentine Cinema. After achieving …

Notebook (13) | The parents

On Sunday, Seoul published an article by Gustavo Noriega remembering the 30th anniversary of the release of the first issue …

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