Copyright A Sala Llena - 2025 - All rights reserved
#CANNES78 | Eddington
ONANISTIC CINEMA Ari Aster’s fourth film takes place in May 2020, three months after the announcement of the Global Coronavirus ...
#CANNES78 | The Phoenician Scheme
WITHOUT RHYME OR REASON The films of Wes Anderson, included his devotion for fable, geometrical symmetry and aesthetics, have become ...
#CANNES78 | Mission: Impossible – The Final Reckoning
SLUMPED BY NORTHWEST In a spot-on article by Javier Porta Fouz about Mission: Impossible – Dead Reckoning, which around that ...
#CANNES77 | Anora
NOW There are directors whom time gives them the chance of a lifetime. Such is the case of Sean Baker ...
#CANNES77 | Horizon: An American Saga. Chapter 1
GRATEFUL CLASICISM As time goes by, what is true cinema is put in the rightful place it should have occupied ...
#CANNES77 | The Substance
MIRROR, MIRROR ON THE WALL… Thanks to The Substance, the term “body horror” as a film subgenre –if such a ...
#CANNES77 | Furiosa: A Mad Max Saga
WATER, FUEL AND ACTION The reboot that was Mad Max: Fury Road introduced the character of Furiosa (Charlize Theron), whom ...
#CANNES77 | Megalopolis
MEGADISAPPOINTMENT There is a term that has been employed in several reviews posted on this site about the expectation generated ...
#CANNES77 | Le deuxième acte
FILM WITHIN A FILM Quentin Dupieux is a filmmaker that got a handle on his craft 17 years after his ...
#CANNES76 | Asteroid City
Many of us are not that much into the cinema of Wes Anderson. I confess to have found myself losing ...
#CANNES76 | Killers of the Flower Moon
The world of film distribution has changed for the worse. This is an issue we have been bringing up in ...
#CANNES76 | Cannibalisms 01: Versailles
After almost twenty years of coming to Cannes, it was not until this year that I understood the mystery of ...
Also you can read...
SEARCH
LAST POSTS
