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FARETTA – Things I promised not to tell
FARETTA – Prolegomena to “The Concept of Cinema”
QUINTÍN – The quest for lost cinephilia
NORIEGA – The recovered childhood
FRIEDLANDER – The canon of cinema
PORTA FOUZ – What can be seen in Qubit?
SORIA – Fantástico inoxidable
PEIROTTI – The stainless party
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MARCELO ZAPATA – On the road with Pauline Kael
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ASL Star Wars
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Others
Columns
FARETTA – Things I promised not to tell
FARETTA – Prolegomena to “The Concept of Cinema”
QUINTÍN – The quest for lost cinephilia
NORIEGA – The recovered childhood
FRIEDLANDER – The canon of cinema
PORTA FOUZ – What can be seen in Qubit?
SORIA – Fantástico inoxidable
PEIROTTI – The stainless party
VILLEGAS – Notebook
MARCELO ZAPATA – On the road with Pauline Kael
BERNADES – The navigator
Bad movies we love
Festivals
CANNES
CANNES by Ganzo
Cannibalisms
NEW YORK
BAFICI
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Spielberg | Por Hernán Schell
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Terror japonés: una breve historia del terror nipón | Por Hernán Schell
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Val Lewton: Fantástico y Clase B | Por Ángel Faretta
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¡Qué viva España! Cuatro directores españoles (English) | Por Gustavo Castagna
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Almodóvar: ¿Transgresor o conservador? (English) | By Gustavo Castagna
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Bioy Casares, entre el mito y la historia (English) | Por Ángel Faretta
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El concepto del cine, parte 1 (English) | Por Ángel Faretta
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El concepto del cine, parte 1 y 2 (English) | Por Ángel Faretta
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El concepto del cine, parte 2 (English) | Por Ángel Faretta
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El Exorcista. Cincuenta años (English) | Por Ángel Faretta
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El terror en los 80: Del slasher y otros excesos (English) | Por Hernán Schell
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Fassbinder, el auténtico genio (English) | Por Gustavo Castagna
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John Cassavetes, el auténtico creador independiente (English) | por Gustavo Castagna
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Sobre Mary Shelley y Frankestein: versiones y perversiones | by Ángel Faretta
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Truffaut, Chabrol, Godard y Rohmer: Más allá de la Nouvelle Vague (English) | Por Gustavo Castagna
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Godfather | Por Ángel Faretta
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El terror de los 70: Raíces y desarrollo. Hollywood e Italia (English) | Por Hernán Schell
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Hitchcock | By Ángel Faretta
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Hitchcock en obra
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