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Jose Luis De Lorenzo
#CANNES78 | Eddington
ONANISTIC CINEMA Ari Aster’s fourth film takes place in May 2020, three months after the announcement of the Global Coronavirus ...
#CANNES78 | The Phoenician Scheme
WITHOUT RHYME OR REASON The films of Wes Anderson, included his devotion for fable, geometrical symmetry and aesthetics, have become ...
#CANNES78 | Mission: Impossible – The Final Reckoning
SLUMPED BY NORTHWEST In a spot-on article by Javier Porta Fouz about Mission: Impossible – Dead Reckoning, which around that ...
Joker: Folie à deux
A week ago, Francis Ford Coppola affirmed that Joker: Folie à deux was a film ahead of its audience, as ...
#NYFF62 | Nickel Boys
There are recurring issues when films like Nickel Boys come along. One of them lies in adapting a literary piece ...
Megalopolis
MEGADISAPPOINTMENT There is a term that has been employed in several reviews posted on this site about the expectation generated ...
The Substance
MIRROR, MIRROR ON THE WALL… Thanks to The Substance, the term “body horror” as a film subgenre –if such a ...
Deadpool & Wolverine
DEALIND CARDS FOR A NEW GAME “We were around when the Western died and there will be a time when ...
Horizon: An American Saga. Chapter 1
GRATEFUL CLASICISM As time goes by, what is true cinema is put in the rightful place it should have occupied ...
#CANNES77 | Anora
NOW There are directors whom time gives them the chance of a lifetime. Such is the case of Sean Baker ...
#CANNES77 | Horizon: An American Saga. Chapter 1
GRATEFUL CLASICISM As time goes by, what is true cinema is put in the rightful place it should have occupied ...
#CANNES77 | The Substance
MIRROR, MIRROR ON THE WALL… Thanks to The Substance, the term “body horror” as a film subgenre –if such a ...
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