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#NYFF61 | May December
Todd Haynes is a filmmaker that knows how to discomfort, but in a subtle manner. He has achieved this in …
#VENICE80 | Ferrari
THE GLARING SILENCE OF THE ROARING VEHICLE An ancient matter present in criticism ––both in film and theater, as well …
#CANNES76 | Asteroid City
Many of us are not that much into the cinema of Wes Anderson. I confess to have found myself losing …
#CANNES76 | Killers of the Flower Moon
The world of film distribution has changed for the worse. This is an issue we have been bringing up in …
#CANNES76 | Cannibalisms 01: Versailles
After almost twenty years of coming to Cannes, it was not until this year that I understood the mystery of …
#CANNES76 | Indiana Jones and the Dial of Destiny
The much awaited fifth installment of the Indiana Jones franchise generated major expectations enough to be the great film that …
#CANNES76 | Strange Way of Life
HI ETHAN Almodóvar reached a point in his life in which he can film any project that he desires. He …
#CANNES76 | Jeanne du Barry
Jeanne Becú (Maïwenn), the illegitimate daughter of a friar and a seamstress, whom after being raised among luxuries is expelled …
37º MDQ FILM FEST | Trenque Lauquen
One of the main characteristics of El Pampero Cine as a production company is that of counting with a group …
#VENICE79 | The Whale
For five years, Darren Aronofsky hadn’t manifested on film. I don’t know if the massacre Mother! suffered precisely at this …
#CANNES75 | Elvis
PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David …
#NYFF60 | Armageddon Time
PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two …
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