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#BERLINALE2020 | The Intruder
A FULFILLED PROMISE As we mentioned in “Beyond Oblivion: A critical history of argentine fantastic cinema” (*), in our classic …
#CANNES72 | Diego Maradona
At the end of Rocky IV, the Italian stallion would put the Russians in his pocket and they would cheer …
#CANNES72 | Cannes by Ganzo (1) | Pain and Glory
The first thing that surprises about Pain and Glory is its apparent simplicity. After a series of films in which …
La flor
FOURTEEN HOURS DON’T MAKE A RIVER In Escape and Other Essays, César Aira includes one essay on Salvador Dalí where …
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