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#CANNES76 | Indiana Jones and the Dial of Destiny

The much awaited fifth installment of the Indiana Jones franchise generated major expectations enough to be the great film that ...

#CANNES76 | Strange Way of Life

HI ETHAN Almodóvar reached a point in his life in which he can film any project that he desires. He ...

#CANNES76 | Jeanne du Barry

Jeanne Becú (Maïwenn), the illegitimate daughter of a friar and a seamstress, whom after being raised among luxuries is expelled ...

37º MDQ FILM FEST | Trenque Lauquen

One of the main characteristics of El Pampero Cine as a production company is that of counting with a group ...

#VENICE79 | The Whale

For five years, Darren Aronofsky hadn’t manifested  on film. I don’t know if the massacre Mother! suffered precisely at this ...

#CANNES75 | Elvis

PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David ...

#NYFF60 | Armageddon Time

PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two ...

#CANNES75 | Armageddon Time

PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two ...

#NYFF60 | White Noise

DEATH ACCORDING TO BAUMBACH The fear of death can become a constant, to the point of conditioning life. Many films ...

#VENICE79 | Argentina, 1985

It is convenient, right off the start, to frame Argentina, 1985 as one of those works whose form and substance ...

#SHEFFIELD2021 | Sheffield diaries, Entry 0

June 3rd How did I come to Sheffield? Actually, I never got to Sheffield, where from the 4th to the ...

#TIFF21 | Drive My Car

Barely four years ago, almost no one knew of Ryusuke Hamaguchi, director of Drive My Car. Everything started in 2018 ...

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