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Festivals

#NYFF61 | May December

Todd Haynes is a filmmaker that knows how to discomfort, but in a subtle manner. He has achieved this in ...

#VENICE80 | Ferrari

THE GLARING SILENCE OF THE ROARING VEHICLE An ancient matter present in criticism ––both in film and theater, as well ...

#CANNES76 | Asteroid City

Many of us are not that much into the cinema of Wes Anderson. I confess to have found myself losing ...

#CANNES76 | Killers of the Flower Moon

The world of film distribution has changed for the worse. This is an issue we have been bringing up in ...

#CANNES76 | Cannibalisms 01: Versailles

After almost twenty years of coming to Cannes, it was not until this year that I understood the mystery of ...

#CANNES76 | Indiana Jones and the Dial of Destiny

The much awaited fifth installment of the Indiana Jones franchise generated major expectations enough to be the great film that ...

#CANNES76 | Strange Way of Life

HI ETHAN Almodóvar reached a point in his life in which he can film any project that he desires. He ...

#CANNES76 | Jeanne du Barry

Jeanne Becú (Maïwenn), the illegitimate daughter of a friar and a seamstress, whom after being raised among luxuries is expelled ...

37º MDQ FILM FEST | Trenque Lauquen

One of the main characteristics of El Pampero Cine as a production company is that of counting with a group ...

#VENICE79 | The Whale

For five years, Darren Aronofsky hadn’t manifested  on film. I don’t know if the massacre Mother! suffered precisely at this ...

#CANNES75 | Elvis

PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David ...

#NYFF60 | Armageddon Time

PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two ...

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