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Copyright A Sala Llena - 2025 - All rights reserved
NEXT ACTIVITIES
AVAILABLE COURSES
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Bernardo Bertolucci: cinephilia and politics, by Gustavo Castagna
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About Mary Shelley and Frankenstein: versions and perversions, by Ángel Faretta
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Hitchcock by Faretta: 1. Lifeboat
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Almodóvar: offender or conservative?, by Gustavo Castagna
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The concept of cinema. Part 2, by Ángel Faretta
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John Cassavetes, the authentic independent creator, by Gustavo Castagna
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The concept of cinema. Part 1, by Ángel Faretta
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Bioy Casares, between the myth and the history, by Ángel Faretta
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Fassbinder, the authentic genious, by Gustavo Castagna
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Long live Spain! Four spanish directors, by Gustavo Castagna
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Truffaut, Chabrol, Godard and Rohmer: Beyond Nouvelle Vague, by Gustavo Castagna
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Terror of the 80s: from slasher and other excesses, by Hernán Schell
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The Exorcist: Fifty years, by Ángel Faretta
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Hitchcock at work, by Ángel Faretta
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The Godfather, by Ángel Faretta
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Cameron’s avatars: the films of James Cameron, by Ángel Faretta
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Post-neorealism and italian cinema: Part 2, by Gustavo Castagna
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The abolished tower: the cinema of John Carpenter, by Ángel Faretta
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History of horror cinema: Part 2, by hernán schell
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History of horror cinema: Part I, by Hernán Schell
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The Godfather Part II, by Ángel Faretta
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Renaissance and baroque, by Ángel Faretta
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Italian neorealism: Part I, by Gustavo Castagna
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De Palma x4, by Hernán Schell
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In an intense world: the films of Paul Thomas Anderson, by Hernán Shell
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Edgar Poe: the fantastic and cinema, by Ángel Faretta
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Titanic, by Ángel Faretta
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Rob Reiner: The wonder years, by Daniel Alaniz
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Why don’t we like cinema anymore?, by Javier Porta Fouz
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How do you shoot music?, by Gustavo Noriega
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Nouvelle Vague, by Hernán Schell
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Lynch universe, by Hernán Schell
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Stanley Kubrick: inclination towards (lack of) control, by Hernán Schell
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Die Hard, by Ángel Faretta
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New Hollywood, by Hernán Schell
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Film language, by Hernán Schell
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