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#CANNES78 | The Phoenician Scheme
WITHOUT RHYME OR REASON The films of Wes Anderson, included his devotion for fable, geometrical symmetry and aesthetics, have become ...
#CANNES78 | Mission: Impossible – The Final Reckoning
SLUMPED BY NORTHWEST In a spot-on article by Javier Porta Fouz about Mission: Impossible – Dead Reckoning, which around that ...
Megalopolis
FROM SELF-AWARENESS TO MEGALOMANIA Halfway through the 1960’s, Roberto Rossellini, surely the finest director Italian cinema has ever offered and ...
Joker: Folie à deux
A week ago, Francis Ford Coppola affirmed that Joker: Folie à deux was a film ahead of its audience, as ...
#NYFF62 | Nickel Boys
There are recurring issues when films like Nickel Boys come along. One of them lies in adapting a literary piece ...
Megalopolis
MEGADISAPPOINTMENT There is a term that has been employed in several reviews posted on this site about the expectation generated ...
#TIFF24 | The Brutalist
Brady Corbet (Vox Lux) is a young director (36 years old) with barely three feature films to his credit, including ...
#VENICE81 | Joker: Folie à deux
The Joker sequel is a failure, an offensive fiasco by a collective of talented people, drunken with the success of ...
#VENECIA81 | Kill the Jockey
LOOKING FOR THE INNER CHILD It is a unique occasion when in the competition of the respectable Venice Film Festival ...
Horizon: An American Saga. Chapter 1
GRATEFUL CLASICISM As time goes by, what is true cinema is put in the rightful place it should have occupied ...
#CANNES77 | Anora
NOW There are directors whom time gives them the chance of a lifetime. Such is the case of Sean Baker ...
#CANNES77 | The Substance
MIRROR, MIRROR ON THE WALL… Thanks to The Substance, the term “body horror” as a film subgenre –if such a ...
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