October 2022
#ASLVIRALIZED | Introduction
THE CRONENBERG PERPECTIVE The first book that usually comes to mind every time a plague is discussed is, pardon the ...
#VENICE79 | The Whale
For five years, Darren Aronofsky hadn’t manifested on film. I don’t know if the massacre Mother! suffered precisely at this ...
The Stainless Party (4) | The Big Lebowski
HERE I WAIT, SMOKING WITH THE DUDE Starting today, Marihuana has become legalized in Netflix. Starting today, spirals of smoke ...
The recovered childhood (2) | The Blob
It gives me a certain happiness to know precisely what was the first horror movie I saw in my life. ...
The recovered childhood (1) | The Graduate
In this column I want to do the following exercise: go back to seeing the films that marked my childhood/youth ...
The navigator | The good film criticism
For the Quintín of the 90’s There is a complacent film criticism. Complacent, above all, with Argentine Cinema. After achieving ...
Editorial | October 2022
Some time ago, a video was circulating on social networks in which John Williams made arrangements in the choir that ...
Notebook (13) | The parents
On Sunday, Seoul published an article by Gustavo Noriega remembering the 30th anniversary of the release of the first issue ...
#CANNES75 | Elvis
PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David ...
Editorial | September 2022
THE WHALES OF AUGUST I don’t know if you remember it, but The Whales of August was an extraordinary film ...
Notebook (10) | Cinema will be
As Rodrigo Moreno reminded me a few days ago -in a public talk that we shared to think about the ...
Things I promised not to tell | Billy Wilder’s “Fedora”: A bittersweet decadence
In a video featured in our YouTube channel to present our book ”Hitchcock at work”, Sebastian De Caro, who did ...
