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The navigator | The good film criticism
For the Quintín of the 90’s There is a complacent film criticism. Complacent, above all, with Argentine Cinema. After achieving ...
Editorial | October 2022
Some time ago, a video was circulating on social networks in which John Williams made arrangements in the choir that ...
Notebook (13) | The parents
On Sunday, Seoul published an article by Gustavo Noriega remembering the 30th anniversary of the release of the first issue ...
Things I promised not to tell | John Ford: The winner takes nothing
For Diego Ávalos Next to what we denominate film auteurs central to the display of classic American cinema, both in ...
Things I promised not to tell | Impossible connection
Are you actually that weak that you don’t remember that time of grace? Hugo Van Hoffmannsthal, Unending Time Every work ...
Things I promised not to tell | Fritz Lang: The two faces of january
“Intimacy with the model demands more attention, but conceives a larger familiarity. Every stroke comes out one at the time, ...
#CANNES75 | Elvis
PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David ...
Editorial | September 2022
THE WHALES OF AUGUST I don’t know if you remember it, but The Whales of August was an extraordinary film ...
Notebook (10) | Cinema will be
As Rodrigo Moreno reminded me a few days ago -in a public talk that we shared to think about the ...
Things I promised not to tell | Billy Wilder’s “Fedora”: A bittersweet decadence
In a video featured in our YouTube channel to present our book ”Hitchcock at work”, Sebastian De Caro, who did ...
Andrés Brandariz | Showgirls
There’s always someone younger and hungrier coming down the stairs after you. In 1995, Paul Verhoeven stepped up the stage ...
#ASLSTARWARS | Episode I | A movie
I hadn’t watched Episode I: The Phantom Menace since it premiered in 1999, so my memory of it was particularly ...
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