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#CANNES78 | Eddington
ONANISTIC CINEMA Ari Aster’s fourth film takes place in May 2020, three months after the announcement of the Global Coronavirus ...
#CANNES78 | The Phoenician Scheme
WITHOUT RHYME OR REASON The films of Wes Anderson, included his devotion for fable, geometrical symmetry and aesthetics, have become ...
#CANNES78 | Mission: Impossible – The Final Reckoning
SLUMPED BY NORTHWEST In a spot-on article by Javier Porta Fouz about Mission: Impossible – Dead Reckoning, which around that ...
#DMZ Docs (South Korea) | A Journey to the Heart of Film Festivals. First Stop
“Be honest” David Beckham, in the documentary Beckham (Fisher Stevens, 2023) “How do you do to tell the difference ...
#NYFF62 | Nickel Boys
There are recurring issues when films like Nickel Boys come along. One of them lies in adapting a literary piece ...
#TIFF24 | The Brutalist
Brady Corbet (Vox Lux) is a young director (36 years old) with barely three feature films to his credit, including ...
#VENICE81 | Joker: Folie à deux
The Joker sequel is a failure, an offensive fiasco by a collective of talented people, drunken with the success of ...
#VENECIA81 | Kill the Jockey
LOOKING FOR THE INNER CHILD It is a unique occasion when in the competition of the respectable Venice Film Festival ...
#VENICE81 | The Room Next Door
Snow, fluffy, soft and pink, falls on New York, probably on account of the global climate changes, or because Martha ...
#JEONJU2024 | The Perfect Future
Every Festival (The Festival) “I wanna be a part of it” (New York, New York – Fred Ebb & ...
#CANNES77 | Anora
NOW There are directors whom time gives them the chance of a lifetime. Such is the case of Sean Baker ...
#CANNES77 | Horizon: An American Saga. Chapter 1
GRATEFUL CLASICISM As time goes by, what is true cinema is put in the rightful place it should have occupied ...
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