Festivals
#CANNES76 | Jeanne du Barry
Jeanne Becú (Maïwenn), the illegitimate daughter of a friar and a seamstress, whom after being raised among luxuries is expelled ...
37º MDQ FILM FEST | Trenque Lauquen
One of the main characteristics of El Pampero Cine as a production company is that of counting with a group ...
#VENICE79 | The Whale
For five years, Darren Aronofsky hadn’t manifested on film. I don’t know if the massacre Mother! suffered precisely at this ...
#CANNES75 | Elvis
PELVIS To say that the Australian Baz Luhrmann films and edits at high speeds as indicated by IndieWire in David ...
#NYFF60 | Armageddon Time
PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two ...
#CANNES75 | Armageddon Time
PERSONAL ESTATE James Gray is the prolific New York film director who established himself thanks to the masterpiece that is Two ...
#NYFF60 | White Noise
DEATH ACCORDING TO BAUMBACH The fear of death can become a constant, to the point of conditioning life. Many films ...
#VENICE79 | Argentina, 1985
It is convenient, right off the start, to frame Argentina, 1985 as one of those works whose form and substance ...
#SHEFFIELD2021 | Sheffield diaries, Entry 0
June 3rd How did I come to Sheffield? Actually, I never got to Sheffield, where from the 4th to the ...
#TIFF21 | Drive My Car
Barely four years ago, almost no one knew of Ryusuke Hamaguchi, director of Drive My Car. Everything started in 2018 ...
#TIFF20 | Pieces of a Woman
THE EMPTY NEST It could be affirmed that Pieces of a Woman is on the way to becoming instantly (at ...
#BERLINALE2020 | The Intruder
A FULFILLED PROMISE As we mentioned in “Beyond Oblivion: A critical history of argentine fantastic cinema” (*), in our classic ...
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